Wednesday 22 May 2013

Additional Links.

I have attempted to use the 3D embedded code in my final sketchup model upload. However, this code seems to be corrupt or something. Here is the dropbox link: https://www.dropbox.com/s/v7jxffotpeqgp6u/ASSIGNMENT%202.kmz

Final Sketchup Model.

<iframe src="http://sketchup.google.com/3dwarehouse/mini?mid=88d41b7243c5c564b0023a49e9785423&etyp=sw&width=400&height=300" frameborder="0" scrolling="no" marginheight="0" marginwidth="0" width="400" height="300"></iframe>

Electroliquid aggregation: a harsh collision of axes and linearity result in interesting interplay between masses and voids, ultimately creating a relationship between the internal and the external.

My final model places an emphasis on the horizontal embodying the electroliquid aggreation for this assignment. The lines become vectors, leading individuals across the different levels on the threshold, whilst the vertical lines define the spaces within the monument.
 
Panoramic view of entire monument.

Reverse side of previous image. This being Libeskind's side of the monument, I placed a heavy emphasis on minimalism and simplicity to showcase the collision of axes, the size of each linearity exaggerating this idea.

Profile view of monument highlighting transitions from internal, covered spaces to the external. This image also places an emphasis on the collision of different axes.

Close up view of the lowest level of monument. By comparing the size of the man to the moment, the differences in scale clearly visible. Image also highlights cut-out details to allow passing of light. This image, showcasing Hans Scharoun's monument, clearly shows the interplay between mass and void.

Image clearly shows the long meeting place for architectural and engineering students as it joins the two monuments together.

36 Custom Textures.






In the end, i have chosen these respective images to represent light, medium and dark textures.
The first texture represents the converging linearity in both Daniel Libeskind and Hans Scharoun's architecture.
The second texture symbolises the idea where, despite the sharp edges of the rectangular forms, there is fluid transition between internal and external spaces in both the architectural forms.
The third and final texture is symbolic of the rigid and angular facade of Libeskind and Sharoun's design nature.



1 + 1 = 3.

(Hans Scharoun)
The play between mass and void harnesses a harmonious relationship between internal and external spaces.
+
(Daniel Libeskind)
A harsh collision of axes and linearity emerge into a network of disoriented movement through internal space.
=
A harsh collision of axes and linearity result in interesting interplay between masses and voids, ultimately creating a relationship between the internal and the external.

6 Axonometric Sketches.

Combined #1
(reverse view)

Combined #2
(reverse view)

Combined #3

(reverse view)

12 Axonometric Sketches.

A collision of geometry and textures result in a layered effect which creates distinctions between spatial foreground and background. 
(H.S)

The play between mass and void harnesses a harmonious relationship between internal and external spaces.
(H.S)

 Kinks in layers and breaking of repetition breaks open the solid and liberates the spaces.
(H.S)

A process of interlocking connects two different forms, yet the resulting spaces are unpredictable and the experience can be chaotic.
(D.L)

A harsh collision of axes and linearity emerge into a network of disoriented movement through internal spaces.
(D.L)

The geometric and angular exist in contrast to the monochromatic and monolithic, which create open spaces and skewed paths of light.
(D.L)